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as Kindai kaiga, Tokyo: Kajima Kenkyujo Shuppankai, 1968. Yoshikawa Itsuji, Tokyo: Kawade Shobō, 1956, 172 pp new ed. , with Amédée Ozenfant, La Peinture moderne, Paris: Crès, 1925, v+172+ pp.Frederick Etchells, London: John Rodker, 1929, xxvii+301 pp. The City of To-morrow and its Planning, trans.John Goodman, Los Angeles: Getty Research Institute, 2007, xiii+341 pp. Por uma arquitetura, São Paulo: Perspectiva, 1973.Pierluigi Cerri, Pierluigi Nicolin and Carlo Fioroni, Milan: Longanesi, 1973, xlii+246 pp. Romero, Buenos Aires: El Distribuidor Americano, 1939, 208 pp. Towards a New Architecture, London: John Rodker, 1927, xix+289 pp London: Architectural Press, 1946, OL Praeger, 1970, OL New York: Dover, 1986, 320 pp, ARG.Eva Gärtner, Berlin: Ullstein, 1963, 215 pp. Hans Hildebrandt, Berlin/Stuttgart/Leipzig: Deutsche Verlags, 1926, xv+253 pp new ed. Célia Euvaldo, São Paulo: Cosac Naify, 2005, 88 pp. John Goodman, in L'Esprit Nouveau: Purism in Paris, 1918-1925, Los Angeles County Museum of Art, 2001, pp 129-168. Outlines the aesthetic approach of Purism. Carlo Olmo, Torino: Bottega d'Erasmo, 1975. , with Amédée Ozenfant, Après le cubisme, Paris: Éditions des Commentaires, 1918, 60 pp facs.Étude sur le mouvement d’art décoratif en Allemagne, 1912.

Charles edouard jeanneret